American Routes is blues and jazz, gospel and soul, rockabilly and country, Cajun and swamp pop, Tejano, Latin… and beyond. Songs and stories from musicians describe a deep and diverse nation with sounds and styles shared by all Americans. From the bayous to the beltways, from crossroads to crosstown, on interstates and city streets, turn up your radio for the sonic journey!
American Routes—produced in New Orleans since 1998
San Antonio Sounds
September 16, 2026
The great Texas river city is a mix of Mexican, German, Anglo and African American cultures, among others. Home to the Texas Conjunto Festival and the International Accordion Festival, San Antonio is best known for Tex-Mex or Tejano music played by squeeze box masters like the late Flaco Jimenez, Narciso Martinez and Mingo Saldivar among many. We’ll speak with Flaco, who in collaborations with Doug Sahm, Ry Cooder, and Los Super Seven, carried the music worldwide. “Chicano brown-eyed soul” performers like Sunny and the Sunliners and other groups describe music that connected New Orleans and Louisiana Swamp Pop with San Antonio and East Los Angeles. We’ll also talk with Vox organ legend Augie Meyers who worked in the high hippie era with Doug Sahm as part of the Sir Douglas Quintet and later in the Texas Tornadoes. The conversation comes full circle with Max Baca, the leader and bajo sexto player of Los Texmaniacs who was influenced by both Flaco and Doug Sahm. The Grammy-winning family band sticks with tradition, but finds ways to include country, blues and rock. Plus music from Sam the Sham, Bob Wills and the Texas Playboys, Freddy Fender and Willie Nelson. ¡Vamos!
NEXT WEEK
Midnight Special, Shine a Light on Me: Prison Music from Angola, Louisiana & Beyond
In this special program, we visit Angola, the notorious plantation-turned-penitentiary, to hear stories and songs from within the prison’s walls. We talk with saxophonist Charles Neville about serving time at the “Farm” during the Jim Crow era, playing with fellow inmates in the Nic Nacs, and the role of music in integrating prison life. We hear previously unreleased Harry Oster field recordings of Mardi Gras Indian chants and bebop jazz from Angola in the late-50s. And we go on-site for interviews and performances with contemporary Angola musicians. Plus, we explore the popular tradition of prison music from singing inmates like Leadbelly and Merle Haggard to live performances from Johnny Cash at San Quentin and B.B. King at Cook County Jail.
Charles Neville at the "Farm." Photo courtesy of the Louisiana Endowment for the Humanities
LAST WEEK
Who was Harry Smith?: The Great Delineator and his Anthology of American Folk Music
Who was Harry Smith? The short answer about the 20th century polymath and hustler might be divined in his legendary 1952 Anthology of American Folk Music, an LP collection of mostly Southern US folk songs from 78rpm records. “The Anthology” established a cult of listening and influenced popular and folk revival artists from John Sebastian and the New Lost City Ramblers to rockers like Jerry Garcia of the Grateful Dead and Beck. We’ll talk with Smith biographer John Szwed about Harry’s life as an artist, record collector and 1950’s bohemian. Then, old and new covers of the Anthology and its B-sides from Gillian Welch, Bob Dylan, Gatemouth Brown and Amythyst Kiah.
Harry Smith by Brian Graham. From his collection “Absurdly Is King.”
Remembering Cassandra Wilson
Singer Cassandra Wilson passed away at age 70. Born in Jackson, MS, she started singing and writing songs at age nine and long leaped and blurred musical boundaries with her deep, full voice, attuned to a variety of styles that she made her own.