Since 1982, the National Endowment for the Arts has presented the fellowships – America’s most prestigious award for folk & traditional arts. We’ll hear music and conversation from Fellows in years gone by, like Doc Watson, Staple Singers, Clifton Chenier, Ralph Stanley, B.B. King, Flaco Jimenez and New Orleans’ own Treme Brass Band. Then we present the 2015 Fellows, many performing live from the stage at George Washington University, including the Gee’s Bend quilters, a circus aerialist, Piedmont bluesman, klezmer musicians, mariachis and more.

Elemental blues, jazz and country from two performers with deep roots and cosmic connections. In the ’60s, young Tracy Nelson left the midwest for psychedelic San Francisco to front the R & B rock band, Mother Earth. Now deep in the Tennessee hills, she’s looking back to country sounds. From South Carolina to deep space, guitarist James “Blood” Ulmer takes us on his journey from childhood gospel to free form harmolodic jazz with Ornette Coleman. Blood now brings it all to bear on a brutal, personal version of the blues.

Conversation with, and music from, Van Dyke Parks, an eclectic, popular classicist known as a composer and keyboardist, arranger and producer, with a great love of calypso and Hawaiian cowboy music. The man behind the curtain for so many artists, the Hollywood-based Parks is well-regarded for writing and studio work with Brian Wilson and the Beach Boys, Ry Cooder, Lowell George and Randy Newman, among many others. He recently became a fan of pianist Tom McDermott, a St. Louis-born, New Orleans-dwelling and Brazilian-influenced vernacular virtuoso. Parks thought enough of McDermott’s recorded repertoire to collect and reissue some of it as Bamboula — so-named for the composition by the mutually-admired New Orleans 19th century pianist Louis Moreau Gottschalk. Tom McDermott, also a fan of Scott Joplin, Jelly Roll Morton, Professor Longhair and James Booker, plays in his parlor for us.