We’re bringing the blues from the clubs to the church this week on American Routes. The Campbell Brothers, from Rochester, NY, are masters of sacred steel. With both pedal and lap steel guitars, they summon the spirit in voice and sound. We’ll talk about growing up in the church and playing gospel blues on the guitar. Then, New Orleans bluesman Walter “Wolfman” Washington stops by the American Routes studio for a conversation about his life in the music and in the clubs around town.

This week, American Routes talks to three soul singers from the formative era of the mid-1950s through Motown of the late ’60s, and an all-female New Orleans brass band. Justine “Baby” Washington talks about growing up in Harlem and her hits “The Times,” “Nobody Cares,” and “That’s How Heartaches Are Made.” Maxine Brown started as teenager in NYC singing with gospel groups. By 1960 she penned the hit, “All in My Mind,” and would later have hits with “Oh No Not My Baby” and a duet with Chuck Jackson on “Something You Got.” Chris Clark is a rare white soul singer who recorded for Detroit’s Motown Records. She became known as the “White Negress” in England where she toured with fellow Motown artists. The Original Pinettes Brass Band is a young, ten-member, all-women’s New Orleans jazz band that has achieved hard-won respect in a field dominated by men.

American Routes takes a trip through the music of the Yellowhammer State—Alabama. Visit the Muscle Shoals Sound studio and find out what’s in the water around “the Shoals” to make it a historic hotbed for R&B hits by Wilson Pickett, Aretha Franklin and more. Also, a trip through Hank Williams’ childhood home in Georgiana, and W.C. Handy Music Festival in Florence. And music from Shelby Lynne, the Birmingham Sunlights and the Delmore Brothers.